These poets were not formally affiliated; most of them did not even know or read each other Wikipedia. Metaphysical poetry is less concerned with expressing feeling than with analyzing it, with the poet exploring the recesses of his consciousness. The boldness of the literary devices used—especially obliquity, irony, and paradox—is often reinforced by a dramatic directness of language and by rhythms derived from that of living speech. Nonetheless, the term is useful for identifying the often-intellectual character of their writing Encyclopedia Britannica.
The category of poetry that indulged in metaphysics was a live one for later seventeenth-century poets, but for them metaphysics was a word used to mark the point at which strongly argued verse bordered on self-parody.
There is more value than this, however, in the group name. Even in the earlier seventeenth century members of the core group of metaphysical poets were connected by a number of social, familial, and literary ties. Henry Wotton was the addressee of epistles in both verse and prose from his close friend John Donne, and at one point intended to write a life of Donne.
Donne bequeathed to King a portrait of himself dressed in his winding-sheet. Later in the century there were other close groupings of poets, who, although not linked by direct personal familiarity with Donne and Herbert, were bound to each other by ties of family, friendship, and literary consanguinity.
Thomas Stanley was a cousin of Richard Lovelace and the nephew of William Hammond, and became a friend of John Hall, one of the most underrated of the minor metaphysical poets. Cowley was a friend and eventually elegist of Richard Crashaw. Pockets of metaphysicality also survived in several institutions: But by the later seventeenth century the bonds of friendship and affinity that had linked Donne and Herbert were in the main replaced by looser ties of literary indebtedness.
Direct attempts to persuade, either through comparisons or through arguments that self-consciously display their logical elisions, are also among the most evident legacies left by Donne to his poetical heirs. No single one of these elements constitutes a metaphysical style, and it would also be wrong to suppose that all of them must be present in a given poem for it to be regarded as belonging to the tradition.
It is also incorrect to believe that a poet who sometimes wrote poems in a metaphysical manner was always and in every poem a metaphysical. The metaphysical style was various. It also changed in response to historical events.
Those publications immediately extended the literary communities of their authors through time and space, and the fact that both volumes were posthumous had a significant effect on the kind of influence they exerted. His poetry is not only scholastic and witty but also reflective and philosophical. Scholars described the characteristics of metaphysical poetry from different point of view.
They, in fact, lay out the essence of metaphysical poem, as does R. The concept, here, of concentration on mutual but powerful setting of International Journal — http: Com love gets strength without digression.
The poet expresses thus: The verse forms are small and simple and bring about strong sense through examples from science and religion. There is a question how could two people die by both fire and water? The readers stand before the confusion, which definitely leads to the long-awaited solution. In terms of conceits, John Done remained an invincible and unparalleled as his conceits got refinement through experiential point of view and gave the references from every discipline of knowledge including science, religion and medicine.
Done cannot be held illogical and absurd in defining love through conceits because he addressed the concept through the reality of love in a concrete and similarly appalling way with the aid of the conceit of the compass. The poet evokes hush:
John donne as a metaphysical poet. Done in respect of the manifestation of metaphysical beauty was an unparalleled and super ordinate among all poets such as Richard Crash, Henry Vaughan, Abraham Cooley, George Herbert, Andrew Marvel and many more.
How is Donne a Metaphysical poet? Answer: Metaphysical poetry is distinguished by several unique features; unique metaphors, large and cosmic themes, absence of narrative, and philosophical ideas. Donne invented or originated many of these features in his poetry, and he was a master of this type.
John Donne is regarded as both the pioneer and the chief spokesman of metaphysical poetry. The importance of his innovation was recognized by Thomas Carew, who praised Donne as the monarch of wit who ‘purged’ /’The Muses’ Garden’, threw away ‘the loose seeds / Of Servile imitation . John Donne: The Creator of Metaphysical Poetry Essay example - John Donne is recognized as being the poet who broke the Petrarchan tradition in England and created a new style of poetry: Metaphysical (The Norton Anthology of English Literature, , ; TNAEL throughout).
Free Essay: Metaphysical Conceit in the Poetry of John Donne Many of John Donne's poems contain metaphysical conceits and intellectual reasoning to build a. Essay on The Bold Metaphysical Poetry of John Donne - The Bold Metaphysical Poetry of John Donne In the seventeenth century, John Donne's writing was considered extreme. His style became known as metaphysical, a name given to such poets by critics.